Thursday, June 23, 2011

What’s Your Excuse?

Hey, remember that story about how Beethoven completed the 9th Symphony but never got to hear it, on account of being deaf?

Yeah.

Oh, hey, remember the bit about how John Milton went blind before he finished Paradise Lost, but went on to finish that and then another edition and some other genius-level writings too, before he died?

Yeah.

Oh, and another thing, remember that story about the kid with the perfectly normal brain locked in a spastic body, whose mother held his head still so he could tap one key at a time on the typewriter with a pointer thingy strapped to his forehead and he wrote an entire novel that way? One with words your average 40-year old intellectual might have to run to the dictionary to look up?

Yeah.

So here I am, struggling to get the words down on paper for my current novella project, and feeling all sorry for myself about how hard it is to write and balance home projects and family responsibilities and a rapidly-escalating dayjob workload, and I’m thinking…I should just STFU about it and get shizz done.

Others have done it before me. With worse situations. With more demanding responsibilities. People have written novels while in labor camps, or prison, or hospital. They’ve written while having more kids than I do, or longer dayjob hours, or larger home projects.

I think…I think I don’t have much of an excuse. Tiredness? Sure. I’m beat. A lot. Stress? Yeah, I’ve got that.

But I’m not in a labor camp, I’m not blind, and I’m not disabled. Excuses be damned. I’m getting this friggin’ project done.

So what’s your excuse?

Tuesday, June 7, 2011

Announcements! (Not annoying ones, I promise.)

This, writer-friends, is unprecedented! Astounding! Jaw-droppingly amazing! Hyperbolically outrageous! And not exaggerated in the least!

That’s right: I’m posting two days in a row.

I’ll take a minute to let you fetch the smelling salts.

Back? Good. ‘Cause I have two contests for you to go enter. I like both of the hosts, and you probably will too, so go on and visit, huh? Well, after I give you the details, that is.

Triplicity

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My lovely friend and critique partner, Laurel, is hosting a contest to celebrate her reaching the 333 follower milestone. You can vie for either a $30 Amazon gift certificate, or up to 50 pages of Laurel’s editing genius for your manuscript. And to pick Laurel’s brain, all you need to do is come up with the worst metaphor ever. Easy as pi, right? >.>

Hop on over to Laurel’s blog, post haste, though, since today’s the last day to enter. Clicky on the image, won’tcha?

Spread the Word

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One of the good folk over at The Literary Lab, a blog I’ve frequented for quite some time now, has published a collection of short stories. Davin Malasarn’s a dude who knows his writing, people. I can guarantee the stories in this collection will stretch your conception of what fiction can do.

So to promote the release, Davin’s hosting a spread the word contest, and all you have to do is…well, I’ll let him tell you.

To enter the contest, tell a friend about my book and ask them to e-mail me at dmalasarn (at) gmail (dot) com with the following message pasted in the body of the e-mail:


Dear Davin Malasarn,

I heard about your collection The Wild Grass and Other Stories from (have them write YOUR name here) on sale at Amazon (http://amzn.to/kwfpap). I understand that this collection includes your most emotional work and will take readers to exotic locations all around the world.

Signed,

(have them write THEIR name here)

Easy, right?

And the prizes? Well, you could choose gift cards, but the top prize is a seriously in-depth full manuscript critique from Davin, with additional critiques from the other LitLab bloggers. That’s a little bit of gold right there, y’all. The LitLab brain trust poring over your manuscript? That’s good stuff.

So go ahead and click the image for details. And don’t forget to put my name in that email you send to Davin, yeah?

Till next time, folks!

Monday, June 6, 2011

Difficult. Necessary.

“There’s a squirrel in the pool again, daddy!”

The two older children had their noses against the glass of the screen door, and were almost vibrating with the energy only the very young can have first thing in the morning. I sighed and shuffled to the doorway.

Sure enough, a bedraggled, gray form was paddling back and forth in the water, trapped by the slick, blue plastic of the pool’s inflatable rim. Muttering curses, I padded out the back door and down the steps.

As I approached, pool skimmer in hand, I saw the squirrel floating, motionless, just its nose above the water. I watched as it rolled, slowly, until its face was submerged, then, with a convulsive movement, it began to paddle once more. When I scooped it from the water, it lay still on the flat mesh of the skimmer, staring at me with bright, black eyes. It didn’t move even after I laid it on the ground next to the porch wall.

Figuring it’d recover after a bit, I headed back into the kitchen and went on with getting the kids’ breakfasts ready.

But later, after the family was fed, the squirrel was still huddled on the end of the skimmer, its head resting on the concrete, eyes half-shut, its small, limp form twitching occasionally. The knowledge began to sink in, then; I knew what I was going to have to do.

I dug the hole near the compost enclosures. I dug it deep enough so the children couldn’t disturb the body with their dirt play. Then I carried the skimmer, with its soaked, shivering load, over to where the moist earth showed dark against the green grass.

The squirrel lay on its side, whimpering and pawing feebly at the dirt after I tipped it off the skimmer. It’s tail was a limp mat of grey, and its small hands and feet were curled and shaking. It looked much smaller wet than it had as it perched on the porch roof the day before.

It wasn’t going to recover from it’s near-drowning, that was clear. The only mercy I could offer it was several sharp strokes with the shovel blade and a decent burial. It was over quickly.

*

I’ve known people who were casual about killing small animals. I cannot be that way. It smacks of cruelty to me, of disregard for life. What I did this morning I did regretfully, out of pity, and knowing the necessity of it did not make it any easier.

But I did it. I had to.

And then the analogy occurred to me.

See, sometimes as writers, we drag our characters through some horrifying situations, some seriously brutal, soul-crushing trauma. They bleed, inside and out, and often we find ourselves right down in the muck with them, scouring ourselves in the process of finding the truth we want to portray on the page. It’s not an easy thing to do.

Yet we do it. Because in the catharsis of our characters, we may be giving hope to readers who struggle with the same trauma. Because we speak, others may find their voice.

Sure, it’s not always that way. Sometimes fiction is just entertainment, diversion. But the right story, written truly, can change lives.

We writers shed light on the secret things, those dark places we’d prefer not to acknowledge, the old wounds that have never fully healed. Sometimes we have to yank memories kicking and screaming into the light so we can write through them, transform them so perhaps someone, somewhere, won’t feel so alone someday when they read our words. Sometimes it’s like peeling pieces out of our souls.

It’s difficult. It can be agonizing. But it is also necessary.

We do it. We have to.